When a parasite or other irritant slips inside an oyster's shell, the mollusk's immune system besieges the intruder with successive layers of calcium carbonate. Eventually, a pearl may form. I suspect that this is a useful metaphor for you to contemplate in the coming days as you deal with the salt in your wound or the splinter in your skin. Before you jump to any conclusions, though, let me clarify. This is not a case of the platitude, "Whatever doesn't kill you will make you stronger." Keep in mind that the pearl is a symbol of beauty and value, not strength.

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SACRED ADVERTISEMENT. The oracle below is from my book PRONOIA Is the Antidote for Paranoia: How the Whole World Is Conspiring to Shower You with Blessings.
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When an old tree in the rain forest dies and topples over, it takes a long time to decompose. As it does, it becomes host to new saplings that use the decaying log for nourishment.

Picture yourself sitting in the forest gazing upon this scene. How would you describe it? Would you dwell on the putrefaction of the fallen tree while ignoring the fresh life sprouting out of it? If you did that, you’d be imitating the perspective of many modern storytellers, especially the journalists and novelists and filmmakers and producers of TV dramas. They devoutly believe that tales of affliction and mayhem and corruption and tragedy are inherently more interesting than tales of triumph and liberation and pleasure and ingenuity.

The German actor Udo Kier summed up the general consensus in an interview he did a few years ago. "Evil has no limit," he sneered, blustering like a naughty genius. "Evil has no limit. Good has a limit. Good is not as interesting as evil."

Two hundred years ago the poet John Keats said that if something is not beautiful, it is probably not true. But Udo Kier and his many compatriots disagree with Keats. With one voice, they imply that if something is not ugly, it is not true . . . .

Hear or read the rest of this meditation.