Petrarch was an influential 14th-century Italian poet whose main work was Song Book. It's a collection of 366 poems, most of which are dedicated to Laura, the woman he loved. For 40 years he churned out testaments of longing and appreciation for her, despite the fact that he and she never spent time together. She was married to another man, and was wrapped up in raising her eleven children. Should we judge Petrarch harshly for choosing a muse who was so unavailable? I don't. Muse-choosing is a mysterious and sacred process that transcends logic. I'm bringing the subject to your attention because you're entering a new phase in your relationship with muses. It's either time to choose a new one (or two?) or else adjust your bonds with your current muses.

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SACRED ADVERTISEMENT. The oracle below is excerpted from my book PRONOIA Is the Antidote for Paranoia: How the Whole World Is Conspiring to Shower You with Blessings.
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The New York Times ran a story about philosopher Nick Bostrom, who believes there's a significant chance our world is actually a computer simulation. In his scenario, you and I are living in a version of The Matrix. Our "brains" are merely webs of computer circuits created by our post-human descendants, who are studying "ancestor simulations" of their past. I bring this to your attention because I'd like to invite you to find out, one way or another, whether Bostrom is correct.

Make it your intention to cultivate a talent for knowing what's real and what's not. Develop a knack for escaping what's illusory and gravitating toward what's authentic. If you do these simple things, I bet you will earn a big reward: a chronic, low-key, blissful sense of union with pretty much everything that's appealing to you.

Bonus: Even if you do find out that we're living in The Matrix, you could become a messiah with resemblances to the character that Keanu Reeves played in the film trilogy. He could fly.